R E C E N T    P U B L I C A T I O N S

2012
Surface/Infinity: Vija Celmins, Brice Marden, Agnes Martin, Exhibition catalogue, Craig F. Starr Gallery, New York
‘Recouping “Otherness”’ in catalogue Madge Gill (1882-1961) Exhibitions, The Nunnery Gallery, Bow Arts, London E3 2SJ 15th June 2012 & 17th January 2013

2010 - 2011
The Primacy of Drawing: Histories and Theories of Practice, Yale University Press, London and New Haven  ISBN 978-0-300-12646-4



Burlington Magazine, No. 1296, Vol. 152, 1st March 2011
 www.deannapetherbridge.com/pages/Profile/Burlington_Magazine.html

John McDonald, Sydney Morning Herald 5th - 6th March, 2011
 www.deannapetherbridge.com/pages/Profile/SMH-5-6-Mar-2011.html

(AUDIO) ABC Radio National, Sunday 27th February 2011 (24 mins)
 www.deannapetherbridge.com/pages/Profile/Audio.html

London Evening Standard, end of year book review by Brian Sewell
 www.thisislondon.co.uk/lifestyle/book/article-23909443-the-best-christmas-books-for-art-lovers.do

Timothy Wilcox,’ Visual thinking’, Apollo, January 2011
 www.apollo-magazine.com/reviews/books/6551093/visual-thinking.thtml

Adrian Searle, The Guardian 20th July 2010
 www.guardian.co.uk/artanddesign/2010/jul/20/white-cube-drawing

‘Deanna Petherbridge on Paul Nash’s Wire (1918)’, Tate Etc, Issue 21, Spring 2011, p.55Library Journal, Art & Humanities review 15th September 2010
www.libraryjournal.com/lj/reviewsbook

2008
'Nailing the Liminal: The Difficulties of Defining Drawing' in Writing on Drawing: Essays on Drawing Practice and Research, ed. S.W. Garner, Intellect Books, Bristol, pp. 265-285, ISBN 978-1-84150-200-7, ISSN 1747-6208

2007
'In Touch and Out of Mind: The Psychodynamics of Obsessive Drawing' in Madness and Creativity, ed. Richard Pine, Cambridge Scholars Press, Cambridge UK, pp. 265-285, ISBN 1-84718-091-4

'On the Moving Line and the Future Subjunctive of Drawing in a Post-Duchampian Age', Special Issue, Futures 39, Guest editor Juliet Steyn, No. 10, December 2007, pp. 1191-1200, ISSN 0016-3287

'Perspectives on Art', Drawings from the UBS Art Collection on display at Tate Modern, London, article series, The Sunday Telegraph, 4 May – 11 November

Cloning and Conceptualising: The Duality of Mike Roles' Figurative Sculpture' in Mike Roles Welcome to the Third Millenium, Sue Atkinson, Catalogue, Broomhill Art, 2007 ISBN 0-9544910-0-9

'Drawing as Subversive Practice' in Drawing Board, conference proceedings, eds. John Plowman & Catherine Burge, pp. 6-18, The University of Lincoln, Lincoln, ISBN 1-86050-209-1

2006
Drawing Inspiration, Catalogue, Abbot Hall Art Gallery, Kendal (Lakeland Arts Trust).

Proceedings of the Bath Royal Literary & Scientific Institution, Volume 9 ISSN 1465-8496

2005
'So much for received notions about "Sculptors Drawings"', Sculpture Journal Vol. XIII 2005, pp. 115-131 ISSN 1366-2724

'On Models and Mickey Mouse', The International Journal of Art and Design Education, Vol. 24 No. 2, May 2005, pp. 126-137, ISSN 1476-8070, 1468-5949

2003
'Constructing the Language of Line' in John Flaxman 1755-1826: 'Master of the Purest Line' Ed. David Bindman, Exhibition Catalogue, Sir John Soane's Museum and Strang Collection, University College London 25 April-14 June 2003, pp. 6-13, ISBN 0 9542284 2 1

Two Cities: Two Modernities, Catalogue, Monash University, Melbourne, 9 October – 14 November 2003 ISBN 0 975041 3 3

'Reframing the Collection', Introduction to 3rd edition of Catalogue of the Women's Art at New Hall, New Hall, Cambridge ISBN 0 9507108 4 9

'Meditations on a Dirty Word', Key-note address, ACUADS conference, Hobart, Australia.
www.acuads.com.au/conf2003/papers_keynote/petherbridge.pdf

2002
'At the boundary of mind and hand, idea and form', The Art Newspaper, No. 128 September 2002

'Subverting the Silicon: A Critique of Drawing in the Computer Age', UME 14, Australia 2002

2001
'Exhibitions, legitimacy and intellectual ownership', The Producers: Contemporary Curators in Conversation, No. 11, eds Susan Hiller & Sarah Martin BALTIC, Newcastle ISBN 0 7017 0118 8

2000
'Protocols of Drawing: Drawing with the pencil through the lens', in Drawing Across Boundaries, ed. Judith Mottram, Loughborough University, Loughborough

'Presenting the Past' in Drawing the Future, Symposium Proceedings, Department of Design, University of Huddersfield

1998
Corps a vif: Art et anatomie, eds. Deanna Petherbridge, Andrea Carlino, Claude Ritschardt, Musee d'Art et Histoire, Geneva, 1998
ISBN 2 8306 0158 0

1997
The Quick and the Dead: Artists and Anatomy, National Touring Exhibitions Hayward Gallery Publishing, 1997. ISBN 1 85332 172 9 (September 1998) University of California Press ISBN 0 5202 1738 1

1991
The Primacy of Drawing: An Artist's View, A National Touring Exhibition from the South Bank Centre, Royal Festival Hall, London, 1991. ISBN 1 85332 078 1